It’s a real propulsive romp through some mutant-filled regional rail network in Vile’s mind.

A pounding and relentless rhythm (this time supplied by Roland 707), a web of electric-fin- gerpicking, chiming swells of feedback by Kurt and Adam Granduciel, and a boss sax solo coaxed from the lungs of Jesse Trbovich. And then there’s the fan-favorite “Freak Train”.

The paranoid monologue of “Dead Alive”, and the tense, though sunny “Amplifier” should shame all the lightweight singer-song- writer types into pawning Lucille and patching things up with their fathers. Kurt’s same steady hands guide the pretty-sounding and vulnerable route of “Overnite Religion” and “Blackberry Song”. These tracks dig in and drive hard like Crazy Horse truckin’ along the Autobahn. It’s Mike Zanghi dominating his thunder kit on the former, and Michael Johnson banging in a primitive caveman thud on the latter. Tunes like “Hunchback” and “Inside Looking Out” show the absolute power the Violators hold. He gives us nine absolutely realized cuts (most by hometown master- engineer Jeff Zeigler) with an appropriate level of fidelity that, in a just world, would find the same warm welcome on FM radio that he’s received this year from those with their ears to the underground. Childish Prodigy is the complete album that KV’s been keeping hidden up his plaid sleeve. Reissued with the original 7” for the first time since its original pressing, and printed on colored vinyl for the first time ever, Kurt Vile’s Matador debut Childish Prodigy is back this October 11th.

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